Episode 397. Science Fiction Theatre

Published by austin on

“72ed0b_ead2cdd9c4684cac9d80805e7ef4f1f6.jpg_srz_606_856_75_22_0.50_1.20_0.00_jpg_srzScience fiction as a genre isn’t particularly well-represented in the theatre, but playwright Michael Bernard is hoping to change all that. His play Alien The Family was recently presented at Sci-Fest: The Los Angeles Science Fiction One-Act Play Festival, and this week discusses the scarcity of science fiction in theatre, theatrical stage effects, impressions of Star Trek women, Vespa rides, Prairie Home Companion-with-a-bad-attitude, additional genres that theatre doesn’t do well, and less-than-fulsome praise for Tracy Letts’ play Bug. (Length 19:41)

Podcast: Download (18.2MB)

Subscribe: Spotify | RSS | More

Categories: Reduced Shakespeare Company Podcast
Tags:

0 Comments

Leave a Reply

Avatar placeholder

Related Posts

Michelle’s ‘Green World’

Michelle Ephraim – a Professor of English and (with Caroline Bicks), the cohost of the Everyday Shakespeare podcast and the co-author of Shakespeare, Not Stirred: Cocktails for Your Everyday Dramas – joins us this week to talk about her frank and funny new book, Green World: A Tragicomic Memoir of Love & Shakespeare. Michelle reveals she discovered Shakespeare surprisingly late; how “fun” is a a perfectly fine description of her sometimes fraught memoir; the shared curse of meeting hero Stephens; how Shakespeare became a source of both pain and solace in the wake of a parent’s death; how her relatively cushy job became surprisingly hazardous; and, finally, how Shakespeare – a dead European white man – became a very relatable force for inclusion. (Length 19:31)

Visiting ‘Shakespeare’s House’

Richard Schoch discusses Shakespeare’s House: A Window Onto His Life and Legacy, his wonderful new history of not only the building in Stratford-upon-Avon that William Shakespeare was born in, but how that building survived and became ground zero in the Shakespeare tourism industry. Schoch reveals how he discovered the dual focus of his book; how it took almost 200 years for people to realize the treasure that still stood in their midst; the shenanigans played by people who first depicted Shakespeare’s birthplace; the important distinctions between restoring a house and remaking it; the trick of hitting that sweet spot between writing an academic history and a popular one; and how the most important person in Shakespeare’s birthplace is not Shakespeare but the visitor. (Length 18:52)

All Our Yesterdays

Joel H. Morris discusses his debut novel All Our Yesterdays – no, not the penultimate episode of Star Trek: The Original Series – which tells the compellingly plausible story of the events that lead up to William Shakespeare's Macbeth. Morris reveals his multiple inspirations, both literary and personal; how investigations into the actual historical couple Shakespeare based his play on informed his novel; the ways in which writing is a process of discovery; how he balanced the political and the personal, the natural and supernatural; how he summoned the courage to explore one of literature's most famous characters; and the wonderful inability to let go of characters that won’t let you go. (Length 22:56)