Let’s Build Forts!

Julie Ritchey, the founding artistic director of Chicago’s Filament Theatre, and scenic and installation designer Eleanor Kahn are two members of the team that created Forts!, the play that turns the audience loose in a controlled environment to create their own event. Julie and Eleanor discuss the creation of Forts! and how it changes despite somehow staying the same; how they’re exploring the intersection of play (the noun) and play (the verb); the challenge of creating a Forts! signature cocktail; the important question of why only toddlers get to wear fun fashions; and why Forts! is a play, not a show, and definitely not an experience. Welcome to podcasting on the edge! (Length 17:23)

Lighting The Comedy

Tony, Obie, Drama Desk, and Joseph Jefferson award-winning designer Christopher Akerlind has designed the lights for the current Goodman Theatre production of Lynn Nottage’s Clyde’s, a powerful comedy directed by Kate Whoriskey and featuring astonishing performances from a terrific ensemble (including friend of the pod Kevin Kenerly). Chris discusses how his bold (and funny!) lighting design for Clyde’s goes against his general philosophy of staying out of the way; how he always tries to stay open to the possibility of improvisation in your design; the importance of finding restrictions; how he’s open to the timing and rhythms of actors, language, and ultimately, audiences; how he embraces the opportunity to create visual humor; the secret to developing design muscles; and how Shakespeare is the opposite of restricting. (Length 18:29) (PICTURED ABOVE: Reza Salazar and Nedra Snipes in the Goodman Theatre production of Lynn Nottage’s Clyde’s, directed by Kate Whoriskey. Photo by Liz Lauren.)